The Pearl :: essays research papers

The Pearl By John Steinbeck   Ã‚  Ã‚  Ã‚  Ã‚  The setting of the story was primarily in an impoverished Mexican-Indian community in La Paz, roughly around the 1900s.   Ã‚  Ã‚  Ã‚  Ã‚  Kino is a prime example of a developing character. From beginning to the end, he develops drastically. At the beginning, he was thought out to be a good loyal husband, but as time went on, he became a selfish, greedy individual who would do anything for money. Juana was Kino’s young wife. She was respectful, and very tolerant towards Kino. Coyotito was Kino and Juana’s only child. Juan Tomas was Kino’s brother, and Apolonia was his wife; both had four children, and very little is known about both of them. The doctor was a very stout, and greedy man, and didn’t heal, or treat his patients if they didn’t have money.   Ã‚  Ã‚  Ã‚  Ã‚  The conflict began when a scorpion stung Coyotito. He became very ill, and the doctor refused to cure Kino’s son for the reason that they had no money. On that very same day, Kino found the pearl that would change his life, as well as the people around him. The pearl brought great danger to Kino and his family. Everybody in the community knew about Kino’s finding, which resulted in everybody desiring the pearl.   Ã‚  Ã‚  Ã‚  Ã‚  Ever since King Midas' lust for gold, it appears to be that man has acquired a greed and appetite for wealth. Kino, Juana, and the doctor have all undergone a change due to money. They’re all affected by their hunger for wealth and are the base for their own destruction, and the destruction of society. The theme of The Pearl is mainly of man's self-destruction through greed, and the hunger for wealth.   Ã‚  Ã‚  Ã‚  Ã‚  There are several different symbols in this story. The scorpion that stung Coyotito could simply mean the vulnerability and the possibility of danger that Kino and his family face ahead. The pearl may also symbolize evil, and how it brought the radical change in Kino and his wife.   Ã‚  Ã‚  Ã‚  Ã‚  The pearl was thought to be the stability and prosperity that Kino hoped for his family. However, there were also alternate feelings of jealousy and greed in the community. The pearl was intended to solve all of Kino’s problems, but it ended up destroying his life, dreams, and the death of his son.   Ã‚  Ã‚  Ã‚  Ã‚  Kino lived with his wife Juana, and his baby son Coyotito in a brush hut. Coyotito got stung by a scorpion, and got very ill.

Existentialism and Film Noir

Existentialism and Film Noir Existentialism and its worldview are believed to have derived from Nietzsche’s provocative and controversial statement â€Å"God is dead†. The underlying meaning to Nietzsche’s controversial statement is that empirical natural science has replaced metaphysical explanations of the world. As a result of this, according to Nietzsche we no longer have any sense of who and what we are as human beings.He concludes that no foundation exists anymore for the meaning and value of things. Nietzsche’s philosophy shines light on what film noir is. That is, an artistic response to, or recognition of, this alteration in our understanding of the world. To emphasize the existentialist attitude in film noir, various stylistic and thematic techniques are used.Common techniques or characteristics of film noir that we see in both The Maltese Falcon and The Killers include: unconventional or non-classical narrative patterns, opposition of light and shadow, disorientation of the viewer, incoherent plot lines, inversion of traditional values and its corresponding moral ambivalence, non-chronological ordering of events, and characters whose actions are not motivated or understandable in any rational way.The similarities of characteristics between existentialism and film noir are prominent; for example, Siodmak and Huston distinguish the alienation and disorientation of a post-Nietzschean world, one without transcendent meaning or value. The constant opposition of light and shadow as seen in The Maltese Falcon and The Killers, helps communicate the dark characteristics of a post-Nietzschean world. For instance, when the swede peacefully awaits his assassins, we get a sense of estrangement and lack of sense and meaning.This lack of sense and meaning is further emphasized when the room goes dark and you see him from the neck down in light, but the face is in total shadow. A sense of despair is created through this camera technique b y showing that no one else is in the room, leaving him hopeless to escape. A common characteristic of film noir that we see in both The Maltese Falcon, and The Killers, is the use of unconventional or non-classical narrative patterns. The use of non-classical narrative patterns emphasizes the cynical characteristics of a post-Nietzschean world.For instance, in The Maltese Falcon, Miss Ruth Wonderly initially claims to Spade and Archer to be searching for her sister, however her true intentions were to implicate Thursby her unwanted accomplice by killing Archer. Miss Ruth Wonderly’s contemptuous behavior coincides with the pessimistic view about the nature and purpose of human life. Non-classical patterns are established through various stylistic techniques. Such as the non-chronological ordering of events, often achieved through flashbacks. An example of this technique is seen in The Killers, when flashbacks are used to tell the story leading up to Ole Andersen’s death .The use of flashbacks and complicated sometimes-incoherent plot lines, as in The Maltese Falcon, are examples of the stylistic techniques that are used in film noir to communicate the mood and sensibility. A final common technique that is used in film noir is portraying characters whose actions are not motivated or understandable in any rational way. For example, why does Miss Wonderly lie about her name and objective in the beginning of The Maltese Falcon when she is sure to get caught at some point? By portraying the characters in this manner, Huston leaves the viewer with unanswered questions, leading to the disorientation of the viewer.It has been argued that film noir cannot be defined, therefore has no essential characteristics. That being said, considering noir as a response to the death of god helps explain the commonality of elements that philosophers have recognized in noir films. Moreover, the directors of The Maltese Falcon and The Killers use of thematic and stylistic characteristics in their films make them two of the best examples of film noir. They clearly depict a world of the post-Nietzschean period in their films, that is one of despair, alienation, and paranoia, which is essentially an existential attitude towards life.

William Shakespeare s Othello - Light And Darkness

Light and darkness have both been constant re-appearing themes within stories since the early stages of history. In the story of Othello, Shakespeare consistently uses these themes in order to help portray his characters. Particularly, using them to highlight race issues during the 1600s, as well acknowledging the racial association with good and bad. He uses these aspects of light and dark carefully to symbolize transitions of characters an their actions. Shakespeare also uses light and dark to interconnect with biblical representations of characters and their doings. Many racial slurs are slung throughout the story in relation to the color of Othello as he is of a black descent. In this story, Iago is a devilish character who stirs a†¦show more content†¦In the beginning of the story the star struck couple get married and have intense love and feelings for one another. However, their love is tested and pushed beyond boundaries where good and evil begin to contaminate each other due to Iago’s evil plans. From Othello explaining â€Å"The heavens forbid†¦but that our loves and comforts should increase†(Shakespeare, 2.1.210-211). As one can see, Othello is infatuated with Desdemona and has high hopes for their marriage, ultimately believing they are un-separable. Nevertheless, from the lies and set-ups caused by Iago fueled by Rodrigo’s love for Desdemona and his hate of Othello’s status, this allowed the darkness of Iago to spill into Othello’s mind which poisoned the relationship with his jealousy. This is shown towards the end of the story where Othello states â€Å"She’s like a liar†¦twas I that killed her†(Shakespeare,5.2.160). These star-struck lovers are miscegenation characters, that allowed their relationship to turn sour and vindictive . This scene shows the transition of good to evil and so the projected imagery of light to darkness can also be compared biblically. Adam and Eve were t he supposed light that God put upon the earth which was pure. Yet the devil/snake whom can be represented by Iago, lead Othello, who could represent Adam and Eve to believe the decietful lies they shouldn’t and become manipulated by Iago/Satan which resulted in actions thatShow MoreRelatedOthello : Racism And The Moor1013 Words   |  5 Pages Othello: Racism and the Moor William Shakespeare’s Othello uses the racial tensions of the period to enhance the execution of the play subtly. At the time of his writing, ethnic minorities were so disregarded, almost to the point of being ignored, yet Shakespeare chooses to make the protagonist a black male who rises to power. Repeatedly throughout the play, the contrast of black and white as opposites permeates almost every plotline. When referring to Othello, the otherRead MoreEssay about Lack of Reason in Shakespeares Othello1273 Words   |  6 PagesLack of Reason in Shakespeares Othello William Shakespeare presents the character Othello as an excellent leader in the play, Othello. The hero has strength, charisma, and eloquence. Yet Othello cannot reason. The battlefield and Senate are, at least in Othello, depicted as places of honor, where men speak truly. In addition, the matters of war and state are relatively simple; no one lies to Othello, all seem to respect him. He never even has to fight in the play, with the enemy disappearingRead MoreEssay on The Imagery of Othello2452 Words   |  10 PagesThe Imagery of Othello Talks  Ã‚        Ã‚  Ã‚   In the tragedy Othello the Bard of Avon uses imagery to talk between the lines, to set moods, to create a more dramatic impact on the mind of the audience, and for other reasons. 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Critic Caroline Spurgeon in â€Å"Shakespeare’s Imagery and What it Tells Us† sorts through the plethora of imagery in the play:    The main image in Othello is that of animals in action, preying upon one another, mischievousRead MoreComparing and Contrasting the Chiaroscuros Between Othello and Iago1709 Words   |  7 PagesIn a work of typical literature, the blackness of something represents its darkness and how evil it is, and the whiteness represents the purity and goodness of something. William Shakespeare plays with the status quo of literature in his play Othello by giving Iago, a white man who should represent purity, an evil, black heart and by giving Othello, a black man, a noble, white heart when he should represent evil. 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All five were produced on video format with a contrast of film and stage presentations. I have decided to focus on the three presentations of, Olivier, White and Fishburne. The final speech of Othello starts with Othello near to or cradling the limp lifeless boy of Desdemona after heRead MoreOthello, By William Shakespeare1923 Words   |  8 Pagescomplication is shown. Firstly in Othello love is presented as ephemeral and transient while atonement love is presented as unrequited and finally in cat on a hot tin roof love is presented as painful and troublesome due to unreciprocated feelings. The tragic plot of Othello hinges on the potential of the villain, Iago, to deceive other characters, above all Roderigo and Othello, through encouraging them to misinterpret what they see. Othello is prone to Iago s ploys seeing that he himself is soRead MoreWilliam Shakespeare s Othello 1386 Words   |  6 Pagesblood-crimson of lust and the jade-green of jealously are but two of the vast palate required to paint this inescapable human passion. William Shakespeare’s store of colors is unrivaled. No human failing, foible or foolishness escapes his gentle, comedic reproof. He equally enjoins his audience to venture as bravely as he does into the palpable horror of love gone amiss. In â€Å"OTHELLO,†Ã¢â‚¬Å"MACBETH,† and many more dramas, love’s fatal potential to provoke vengeance or the quest for earthly power is powerfully feltRead More Mary, Eve, and Lilith in Shakespeares King Lear, Othello, and Macbeth3162 Words   |  13 PagesMary, Eve, and Lilith in King Lear, Othello, and Macbeth      Ã‚  Ã‚   Feminist criticism often explores the symbolic or archetypal use of the Biblical figures of Mary and Eve in literary criticism. One figure which seems appropriate to such discussions, but so far neglected it seems, is the figure of Lilith. Indeed, in the case of Shakespearean criticism, Lilith seems an appropriate model at times for such characters as Goneril, Regan, Lady Macbeth, and so forth. Accordingly, it is my intention to